Olympus M.Zuiko Digital ED 12-40 mm F2.8 PRO Lens, Universal Zoom, Suitable for All MFT Cameras (Olympus OM-D & PEN Models, Panasonic G-Series), Black

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Olympus M.Zuiko Digital ED 12-40 mm F2.8 PRO Lens, Universal Zoom, Suitable for All MFT Cameras (Olympus OM-D & PEN Models, Panasonic G-Series), Black

Olympus M.Zuiko Digital ED 12-40 mm F2.8 PRO Lens, Universal Zoom, Suitable for All MFT Cameras (Olympus OM-D & PEN Models, Panasonic G-Series), Black

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The petal-shaped lens hood locks onto the front of the lens, bayonet-style, and adds only about one inch of extra length (and barely any extra width). Colour is richly saturated, without any major shift towards warm or cool, and the lens feels very natural and transparent in its rendering. The latest manufacturing techniques suppress surface scattering on aspherical lenses, significantly reducing flares compared to conventional products, resulting in clearer optical performance. From outdoor shooting to action situations or a fashion show, the lens works very well with the camera.

Pairing with a dustproof, splashproof, and freezeproof camera body makes it possible to continue shooting in punishing environments such as rain, snow, and dusty environments with peace of mind. throughout its zoom range, fast and quiet auto focusing and an optical formula comprising 14 elements arranged in 9 groups, including 1 aspherical element, 1 dual-sided aspherical element, 2 ED glass elements, 2 HR glass elements, 1 EDA glass element and 1 HD glass element. It won’t give you real macro performance but it can let you focus on small objects fairly closely when you need to.mаkе еffесtіvе uѕе оf thе іmрrеѕѕіvе орtісаl реrfоrmаnсе іѕ аn аdvаnсеd МЅС mесhаnіѕm thаt еnаblеѕ hіgh-ѕрееd, ѕіlеnt аutоfосuѕіng. I think it's a very nice option to have and I can imagine that many photographers don't need an extra macro lens. Clearly, the basic ethos of the lens is sound and it has a firm place in the OM System armamentarium of optics, so let's couple it up with the flagship OM-1 body and see how it handles and performs.

The lens construction integrates one aspherical ED (extra-low dispersion) element, two aspherical elements, one DSA (Dual Super Aspherical) element, two extra-low dispersion elements, one HD element, and two HR (high-refractive index) elements into its design to minimize aberrations, distortion, and color fringing throughout the zoom range while also contributing to overall image sharpness, clarity, and color accuracy. was the first of Olympus's PRO series of lenses, designed as fast aperture zooms for the working professional, built to offer the quality and withstand the beatings such users expected. This week away is a prime example- I have brought extra stuff out of a force of habit, but the extra lens, the dust blower and loads of my extras lived either in my bag or AirBNB and didn’t see the light of day. At 12mm, it measures over 8% barrel distortion and that doesn't get down to reasonable levels until somewhere about 22mm. Pro, Olympus employed a seven circular-bladed diaphragm, which produces some very nice bokeh, at least in our opinion.is the first lens in Olympus's 'PRO' lens line for Micro Four Thirds, and designed to match the top-end OM-D E-M1. It's also a very sharp lens at all focal lengths and does well at controlling CA, but it shows more distortion and more vignetting than the Olympus -- and it's more expensive. Standard wide-angle to portrait-length zoom lens is designed for Micro Four Thirds mirrorless cameras and provides a 24-80mm equivalent focal length range. At the longer focal lengths, however, we saw very low CA between 30-40mm, which was lower on average than the wider focal lengths. Zuiko PRO was introduced alongside the Olympus OM-D E-M1 and is part of the company's new "Zuiko PRO" line of professional-grade Micro Four Thirds lenses.

Engage with our used photography equipment partner MPB in a forum dedicated to giving members the opportunity to feedback their experiences or seek advice. And after getting a Olympus TZ1, I just understood that Olympuses just weren’t for me, even though they were perfectly fine cameras. When I review lenses, I usually go and say something along the lines of “Modern lenses are good enough, nothing to see here, let’s move on”. His background and work has spread to non-profits like American Photographic Arts where he's done work to get photographers various benefits. By the time you get to the 40mm telephoto end of the lens, things have reversed into about 1% pin cushion distortion.Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited.

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